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Dorothy Leigh Sayers (usually styled as Dorothy L. Sayers; 1893–1957) was an English crime writer, poet, playwright, essayist, translator and Christian humanist; she was also a student of classical and modern languages.
Dorothy Leigh Sayers (/ s ɛər z / SAIRZ; [n 2] 13 June 1893 – 17 December 1957) was an English crime novelist, playwright, translator and critic.. Born in Oxford, Sayers was brought up in rural East Anglia and educated at Godolphin School in Salisbury and Somerville College, Oxford, graduating with first class honours in medieval French.
Regarded in the Christian world as something of a classic, it is often quoted. [citation needed]In The Mind of the Maker, one of her most profound works, Sayers contends that the creative process in art works in ways that correspond to the dynamic relation among the three Persons of the Trinity in Christian theology—and that the activity of one illuminates the activity of the other.
These were first published in 1943, [2] with Sayers' lengthy introduction, illuminating her attitude to the work and the reasoning behind particular aspects of her dramatisation, and with notes and commentary by the author on each of the twelve plays. The book of the scripts was published in its 22nd impression in 1957, and subsequently.
Books by Dorothy L. Sayers (1 P) D. Dorothy L. Sayers characters (1 C, 7 P) N. ... Pages in category "Works by Dorothy L. Sayers" This category contains only the ...
Dorothy Leigh Sayers (usually stylised as Dorothy L. Sayers; 1893–1957) was an English crime writer, poet, playwright, essayist, translator and Christian humanist; She was also a student of classical and modern languages. can you just move "and student of classical and modern languages" to the end of "Christian humanist", and cut the "and ...
The Nine Tailors is a 1934 mystery novel by the British writer Dorothy L. Sayers, her ninth featuring Lord Peter Wimsey.The story is set in the Lincolnshire Fens, and revolves around a group of bell-ringers at the local parish church.
Dorothy L. Sayers began writing plays for public performance in 1935 with Busman’s Honeymoon, a dramatic incarnation of the characters from her Lord Peter Wimsey books. She collaborated on this script with her friend from her college days at Oxford, M. St. Clare Byrne who was a lecturer at the Royal Academy of Dramatic Art.
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