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Milhouse eavesdrops on the conversation from Bart's treehouse and tells his parents. The Van Houtens publicly shame the Simpsons for their secrecy, prompting a town-wide division of opinion. As the auction begins, Dawn, a former lover of Kirk's, arrives and claims that he took the painting from her.
When Homer comes back to the Simpson living room with the sailboat painting, he sees that Marge has hung a copy of Vermeer's Girl with a Pearl Earring in its place. [8] Bart's personified guilt resembles Hugo Simpson from "Treehouse of Horror VII." Garfield makes an appearance as a costume in the Itchy and Scratchy episode "The Garfield ...
The graffiti art featuring Homer's face and the word "dope" that Bart creates in the episode is a reference to Fairey's Barack Obama "Hope" poster and his OBEY Giant image. [ 3 ] [ 6 ] Fairey has said that The Simpsons has been one of his favorite television shows since the early 1990s because of its "blend of humor and social commentary ", and ...
"Mom and Pop Art" is the nineteenth episode of the tenth season of the American animated television series The Simpsons. It was first aired on Fox in the United States on April 11, 1999. In this episode, Homer inadvertently becomes a well-praised outsider artist after his failed attempts to build a barbecue pit .
When Bart sees the poison dart used by Julia, Marge mentions Arthur Fiedler the Boston Pops Orchestra conductor carried one with him. The scene of Homer painting the ceiling on his back is a reference to The Agony and the Ecstasy. On their way home from church, Marge names several restaurants they pass by.
After initially being picked on by the other students in 1863, a French Impressionist (Bart), receives praise from Henri de Toulouse-Lautrec for his work and he earns the respect of the other students. The school administration worries that the Emperor will not like the art, so they tell the students not to show it to him.
One of his most iconic works is the "Simpsons deported to Auschwitz," which shows Marge, Homer, Maggie, Bart and Lisa before and after the concentration camp, referencing the emaciated state of ...
The agents confiscate the paintings and hand them to a Eurotrash heir of one of the original owners, leaving Bart and Grampa empty-handed. Despite the loss, Grampa is content, knowing he has proven to Bart that he is not just a pathetic old man. Having reconciled, they hug. The heir then tells them to "get a room". Bart gets embarrassed.
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