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In Agony in the Garden, Jesus prays in the garden after the Last Supper while the disciples sleep and Judas leads the mob, by Andrea Mantegna c. 1460.. In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary [8] and the First Station of the Scriptural Way of the Cross (second station in the Philippine version).
Agony in the Garden is an egg tempera painting on wood panel, most likely painted on poplar, as is common of Bellini's wood panel works. [3] Bellini coated the wood panel with a gesso ground and provided an intricate underdrawing applied with a liquid medium, which provide the painting with a great complexity in texture especially seen in the ...
The Agony in the Garden (left panel of the predella of the San Zeno Altarpiece, 1455) National Gallery, London, is the pinnacle of Mantegna's early style. Mantegna was born in Isola di Carturo, Venetian Republic close to Padua. He was the second son of a carpenter, Biagio. At the age of 11, he became apprenticed to Paduan painter Francesco ...
Agony in the Garden: c. 1500: Tempera on panel: 53 × 35 cm: Granada, Royal Chapel: Adoration of the Child: c. 1500: Tempera on panel: diameter 125.7 cm: Raleigh, North Carolina Museum of Art: Adoration of the Christ Child: c. 1500: Oil on panel: diameter 120.7 cm: Houston, Museum of Fine Arts [3] Adoration of the Magi: c. 1500: Tempera on ...
The Agony in the Garden is a painting of 1455–1456 by the Italian artist Andrea Mantegna [1] in the National Gallery, London. The painting shows Christ (at the centre) praying before a group of cherubs (at upper left) who are holding instruments of the Passion .
Giovanni Bellini (Italian: [dʒoˈvanni belˈliːni]; [1] [2] c. 1430 – 29 November 1516) [3] was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is ...
Christ is portrayed in center of the panel above a clear sky, kneeling in the Garden of Gethsemane and receiving by an angel a divine chalice. His figure forms a triangle with the three sleeping apostles at the bottom (from the left, John, Peter and James); the triangle is connected to the painting's sides by the symmetrical line of the hills.
The image of the Crucifixion is at the Louvre Museum in Paris, while the scenes of the Resurrection and Agony in the Garden are in Tours at the Musée des Beaux-Arts. [4] Despite being smaller components of this altarpiece, these paintings display Mantegna's attention to detail and precision as an artist in his quest to render a memorable and ...