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The meaning of emptiness as contemplated here is explained at M I.297 and S IV.296-97 as the "emancipation of the mind by emptiness" (suññatā cetovimutti) being consequent upon the realization that "this world is empty of self or anything pertaining to self" (suññam ida ṃ attena vā attaniyena vā).
In literature, the Void often serves as a metaphor for existential despair, the search for meaning, or the confrontation with the unknown. Samuel Beckett's Waiting for Godot (1953) is a quintessential example, where the Void is both literal and metaphorical. The play's setting is a barren, empty landscape, and the characters are caught in an ...
All three of these ancient Zhuangzian terms became part of modern Standard Chinese vocabulary; yuyan is a common word meaning "fable; allegory; parable", chongyan is a specialized linguistic term for "reduplication, reduplicated word/morpheme", and zhiyan is a literary reference to Zhuangzi, sometimes used in self-deprecatory titles, such as ...
Statues of the Three Lords Mao (Mao Ying 茅盈, Mao Gu 茅固, and Mao Zhong 茅衷), Tongxuan Taoist Temple, Hangzhou The Zhengao is a compendium of Shangqing Daoist materials transmitted by the Eastern Jin dynasty scholar and mystic Yang Xi (330-c. 386) and his patrons Xu Mi (許谧, 303-376) and Xu Hui (許翽, 341-c. 370).
Bagua diagram from Zhao Huiqian's (趙撝謙) Liushu benyi (六書本義, c. 1370s).. The Daodejing (also known as the Laozi after its purported author, terminus ante quem 3rd-century BCE) has traditionally been seen as the central and founding Taoist text, though historically, it is only one of the many different influences on Taoist thought, and at times, a marginal one at that. [12]
Language and conventional wisdom are critically assessed. Taoism views them as inherently biased and artificial, widely using paradoxes to sharpen the point. [44] Wu wei, literally 'non-action' or 'not acting', is a central concept of the Tao Te Ching.
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Daniel Fried, professor of Chinese and comparative literature at the University of Alberta, combined Chinese textual and archeological evidence to propose a "speculative history" of the Zhuangzian zhī "goblet" trope, associating it with the Zhou dynasty (c. 1046–256 BCE) qīqí (欹器, "tipping vessel") designed to tilt and empty when ...