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Don Kihot (1961 short) Don Quijote cabalga de nuevo; Don Quixote (1903 film) Don Quixote (1923 film) Don Quixote (1933 film) Don Quixote (1947 film) Don Quixote (1957 film) Don Quixote (1973 film) Don Quixote (2000 film) Don Quixote (2010 film) Don Quixote (2015 film) Don Quixote (unfinished film) Don Quixote Returns; Don Quixote, Knight Errant ...
The novel Don Quixote (/ ˌ d ɒ n k iː ˈ h oʊ t i /; Spanish: El ingenioso hidalgo don Quixote de la Mancha [1]) was written by the Spanish author Miguel de Cervantes.Published in two volumes a decade apart (in 1605 and 1615), Don Quixote is one of the most influential works of literature from the Spanish Golden Age in the Spanish literary canon.
Man of La Mancha is a 1972 film adaptation of the Broadway musical Man of La Mancha by Dale Wasserman, with music by Mitch Leigh and lyrics by Joe Darion.The musical was suggested by the classic novel Don Quixote by Miguel de Cervantes, but more directly based on Wasserman's 1959 non-musical television play I, Don Quixote, which combines a semi-fictional episode from the life of Cervantes with ...
Donkey Xote (known in some regions as Donkey X or Æslet) is a 2007 animated children's film produced by Lumiq Studios. [1] A co-production between Spain and Italy, the film is directed by José Pozo and written by Angel Pariente, based on the Miguel de Cervantes novel Don Quixote, and features the voices of Andreu Buenafuente, David Fernández, Sonia Ferrer and José Luis Gil.
Lost in La Mancha is a 2002 documentary film about Terry Gilliam's first attempt to make The Man Who Killed Don Quixote, a film adaptation of the 1605/1615 novel Don Quixote by Miguel de Cervantes. The documentary was shot in 2000 during pre-production and filming and it was intended as a "making-of" documentary for the film.
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Honor of the Knights (Catalan: Honor de cavalleria; also known as Honor of the Knights/Quixotic) is a 2006 slow film by Catalan auteur Albert Serra.The film re-envisions the adventures from the Miguel de Cervantes novel Don Quixote, eschewing the Cervantes narrative in favour of placing Quixote and Sancho Panza on a contemplative, wandering story. [1]
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