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In the first film, Falkor is voiced by Alan Oppenheimer. In the second, by an uncredited Donald Arthur. Finally, he is portrayed by Gord Robertson and voiced by William Hootkins. In the cartoon series, Falkor is voiced by Howard Jerome. "To Save Falkor" sees him become sick due to Bastian's cold, forcing Bastian to find a cure before he fades away.
The correct pronunciation of Norman French is often closer to a natural contemporary English reading than to modern French: the attempt to pronounce these phrases as if they were modern French could therefore be considered to be a hyperforeignism. For example, the clerk's summons "Oyez!
This is the pronunciation key for IPA transcriptions of Italian on Wikipedia. It provides a set of symbols to represent the pronunciation of Italian in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
Palatalization strictly speaking refers either to a change in a consonant's place of articulation, such as when the alveolar nasal [n] develops to a palatal nasal [ɲ], or to a change in secondary articulation, such as when [n] develops to [nʲ] (still alveolar but with the tongue body lifted towards the palate).
In current pronunciation, /ɲ/ is merging with /nj/. [6] The velar nasal /ŋ/ is not a native phoneme of French, but it occurs in loan words such as camping, smoking or kung-fu. [7] Some speakers who have difficulty with this consonant realise it as a sequence [ŋɡ] or replace it with /ɲ/. [8]
French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
However, in Östergötland the pronunciation tends to gravitate more towards [w] and in Västergötland the realization is commonly voiced. Common from the time of Gustav III (Swedish king 1771–1792), who was much inspired by French culture and language, was the use of guttural R in the nobility and in the upper classes of Stockholm. This ...
In Italian phonemic distinction between long and short vowels is rare and limited to a few words and one morphological class, namely the pair composed by the first and third person of the historic past in verbs of the third conjugation—compare sentii (/senˈtiː/, "I felt/heard'), and sentì (/senˈti/, "he felt/heard").
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