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The Sanskrit scholar Barbara Stoler Miller translated these sections as Among Fools and Kings, Passionate Encounters and Refuge in the Forest respectively. Especially in the Vairāgyaśataka , but also in the other two, his poetry displays the depth and intensity of his renunciation as he vacillates between the pursuits of fleshly desires and ...
The Avadānaśataka (A Hundred Tales) is a Buddhist anthology in Sanskrit of one hundred Buddhist avadāna legends associated with the Mūlasarvāstivāda school. [1] [2] The Sanskrit text's composition date is uncertain, with an approximate origin around 100 CE or later, between the second and fourth centuries CE. [2] [3]
A shataka (Sanskrit: शतकम्, romanized: śatakam) is a genre of Sanskrit literature. [1] It comprises works that contain one hundred verses. [2] [3] It is also a popular genre of Telugu literature. [4]
The above names are composed of the first verbal root in each class followed by ādayaḥ "etc.; and next" – bhv-ādayaḥ thus means "the class starting with bhū". The small number of class 8 verbs are a secondary group derived from class 5 roots, and class 10 is a special case, in that any verb can form class 10 presents, then assuming ...
Wife awaits her Husband, Verse 76, Amaru Shataka by Amaru, early 17th-century painting. The Amaruśataka or Amarukaśataka (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7th [1] or 8th century.
Agathiyar (), Chairman of first Tamil Sangam, at Madurai in the Pandiya kingdom.Statue of Agastya in the Tamil Thai (Mother Tamil) temple in Karaikudi, Tamil Nadu, India. The Tamil Sangams (Tamil: சங்கம் caṅkam, Old Tamil 𑀘𑀗𑁆𑀓𑀫𑁆, from Sanskrit saṅgha) were three legendary gatherings of Tamil scholars and poets that, according to traditional Tamil accounts ...
It mentions three "knots" (granthis), a kind of chakra, which have to be pierced to allow the Kundalini to pass through. The three are the knots of Brahma at the base of the Sushumna channel, of Vishnu at the heart, and of Rudra , between the eyebrows.
That “ Bhaṭṭi ’s Poem” canto 10 is a major work on Sanskrit poetics is amply demonstrated by Söhnen [8] in her examination of ‘doubling’ yamaka of 10.2–22 showing that the treatment of this figure in Daṇḍin ’s “Mirror of Poetry” and Bhāmaha’s “Ornament of Poetry” is influenced by the Bhaṭṭikāvya.