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Special effects (usually visual), illusions used in film, television, and entertainment; Sound effects, sounds that are artificially created or enhanced; SFX, a British magazine covering the topics of science fiction and fantasy; SFX (Science Fiction Expo), a convention in Toronto, Canada; SFX Entertainment, American promoter
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media.
It featured sounds from popular television series Doctor Who (all from Season 18) and Blake's 7, as well as effects for the first series of the radio versions of Douglas Adams' The Hitchhiker's Guide to the Galaxy and James Follett's Earthsearch. In 1991 it was re-released on CD as Essential Science Fiction Sound Effects Vol. 1. Reissued on CD ...
The second was precipitated by the blockbuster success of two science-fiction and fantasy films in 1977. George Lucas's Star Wars ushered in an era of science-fiction films with expensive and impressive special effects. Effects supervisor John Dykstra, A.S.C. and crew developed many improvements in existing effects technology. They created a ...
American science fiction author and editor Lester del Rey wrote, "Even the devoted aficionado or fan—has a hard time trying to explain what science fiction is," and the lack of a "full satisfactory definition" is because "there are no easily delineated limits to science fiction." [3] Another definition comes from The Literature Book by DK and ...
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical.
According to Vivian Sobchack, a British cinema and media theorist and cultural critic: . Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method, interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion, in an attempt to reconcile man with the unknown.
Burtt pioneered many aspects of modern sound design, especially in the science-fiction and fantasy-film genres. [3] Before his work in the first Star Wars (now known as Star Wars Episode IV: A New Hope) in 1977, science-fiction films tended to use electronic-sounding effects for futuristic devices. Burtt sought a more natural sound, blending in ...