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At the same time, the wax filled in cracks in the surfaces, sealing moisture inside the walls, further weakening them by compromising the strength of the mortar holding the walls together. By 2013 the villa, like most of Pompeii, was in dire need of modern conservation, as was a protective covering that had been constructed in different phases ...
Low-VOC paint types include latex (water-based), recycled latex (water-based), acrylic, and milk paint. [1] [2] The labels of paint cans can be checked for the following information: To be considered low-VOC, the paint should contain <50 g/L of VOC. [citation needed] To be considered zero-VOC, the paint should contain <5 g/L of VOC. [citation ...
Preserving both the paint layer and the support (wall) is crucial. Regular maintenance of the building and structure is necessary to safeguarding wall paintings. Monitoring environmental conditions, limiting visitor access, and temporary closures to public access can be used to help preserve the paintings.
Lining an entire painting has largely fallen out of favor due to the invasive nature of the treatment. Minimalist intervention emphasizes the maintenance of the original integrity of a painting, so long as it is able to be displayed and the image is not disrupted. [2] However, patches are sometimes applied to strengthen specific areas of a ...
Custom strainers or inner panelings that are fit to the painting and secured with screws, therefore offering strength to the painting and allowing hanging devices to be attached without damaging a painting. [24] Cradling – Cradling refers to the addition of wooden supports or frames on the back of paintings. These slats require flexibility to ...
Examples of interventive treatments include the removal of discolored varnish from a painting, the application of wax to a sculpture, and the washing and rebinding of a book. Ethical standards within the field require that the conservator fully justify interventive actions and carry out documentation before, during, and after the treatment.
The detachment of wall paintings involves the removal of a wall painting from the structure of which it formed part. While detachment was once a common practice, the preservation of art in situ is now preferred, and detachment is now largely restricted to cases where the only alternative is total loss. [ 1 ]
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...