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Shams-i Tabrīzī (Persian: شمس تبریزی) or Shams al-Din Mohammad (1185–1248) was a Persian [1] Shafi'ite [1] poet, [2] who is credited as the spiritual instructor of Mewlānā Jalāl ad-Dīn Muhammad Balkhi, also known as Rumi and is referenced with great reverence in Rumi's poetic collection, in particular Diwan-i Shams-i Tabrīzī.
During Shams’ initial separation from Rumi, Rumi wrote poetic letters to Shams pleading for his return. [20] Following Shams’ second disappearance, Rumi returned to writing poetry lauding Shams and lamenting his disappearance. [4] These poems would be collected after Rumi’s death by his students as the Divan-i Shams-i Tabrizi. [21]
Rumi's other major work is the Dīwān-e Kabīr (Great Work) or Dīwān-e Shams-e Tabrīzī (The Works of Shams of Tabriz; دیوان شمس تبریزی), named in honour of Rumi's master Shams.
Rumi: The Musical is a musical with music and lyrics by Dana Al Fardan and Nadim Naaman and a book by Naaman. [1] The show is based on a story by Evren Sharma and follows the relationship 13th century poet Rumi and his mentor Shams Tabrizi .
The book presents Shams's Forty Love Rules at different intervals. [ 12 ] [ 13 ] Sweet Blasphemy was structured in a way to focus on the five elements of nature: Water, Air, Earth, Fire and Void. The chapters in each section revealed a story in line with the nature of each element. [ 14 ]
Rumi is a Persian-language opera by Iranian composer Behzad Abdi to a libretto by puppet theatre director Behrouz Gharibpour. The opera combines Persian traditional dastgāh modal system and sama dance with Western music. The libretto is based on the story of Shams and Rumi. [1] [2]
Rumi's ghazal 163, which begins Beravīd, ey harīfān "Go, my friends", is a Persian ghazal (love poem) of seven verses by the 13th-century poet Jalal-ed-Din Rumi (usually known in Iran as Mowlavi or Mowlana). The poem is said to have been written by Rumi about the year 1247 to persuade his friend Shams-e Tabriz to come back to Konya from ...
The tales, anecdotes and narratives in this collection are used in Sufi schools for the development of insights beyond ordinary perceptions. Although the number 100 is used in the title, in Idries Shah’s presentation there are 159 tales beginning with a brief description of Rumi’s childhood and youth.
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