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The chorus of Max Boyce's song "Hymns and Arias", frequently sung by fans of the Wales rugby union team, mentions "Ar Hyd y Nos": "And we were singing hymns and arias; 'Land of my Fathers', 'Ar hyd y nos'". [13] Alan Stivell sings the song in Breton, Welsh and English on his 23rd album Emerald.
The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. Hymns were mostly set to their Lutheran chorale tune. His chorale cantata cycle contains at least 40 chorale cantatas, each of these entirely based on text and tune of such hymn.
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme.
Songs such as "Hymns and Arias" soon became popular with rugby crowds, a fact which has played a significant part in his ongoing popularity. When Swansea City were promoted to the English Premier League in 2011, Boyce was asked to perform for their first game and produced a special version of "Hymns and Arias" for the occasion. [10]
Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in Schemellis Gesangbuch)
The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. [4]
The hymn is based on a passion meditation which was attributed to the church father St Augustine (Meditationes Divi Augustini, chapter VII) – another nod to classical learning but with all the emotionally charged medieval rhetoric of Anselm of Canterbury or Bernard of Clairvaux. The text addresses the crucified Christ pondering on the bodily ...
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (/ˈɑriə/ Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part ...