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Christ Child, also known as In the Beginning or the Millennium Sculpture, [1] is an outdoor sculpture by Michael "Mike" Chapman, located under the portico of St Martins-in-the-Fields at Trafalgar Square in London, United Kingdom.
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The St Martin-in-the-Fields charity supports homeless and vulnerably housed people. The church has raised money for vulnerable people in its annual Christmas Appeal since 1920 and in an annual BBC radio broadcast since December 1927. [25] The Connection at St Martin's is located next to the church, and works closely with the church's charity.
St Martin in the Fields was an ancient parish. In 1542, it gained the "lands between the church of St Clement Danes and the Palace of Westminster" from the parish of Westminster St Margaret. [2] The parish originally included a number of areas that were carved out between 1645 and 1724 to create new parishes: [3]
Samuel Martin Bailey Wells (born 1965) is an English priest of the Church of England. Since 2012, he has been the vicar of St Martin-in-the-Fields in central London, [1] and Visiting Professor of Christian Ethics at King's College London. [2] In 2018, he was installed as Honorary Canon Theologian of Guildford Cathedral. [3]
The station and adjoining St Martins/St Martin's Lane take their present name from the Church of Saint Martin in the Fields, which stands a few hundred feet to the west. The station is in zone 2 on the Chestnut Hill West Line and is 10.9 track miles from Suburban Station. In 2004, this station saw 215 boardings on an average weekday.
The Academy of St Martin in the Fields (ASMF) is an English orchestra, based in London. John Churchill, then Master of Music at the London church of St Martin-in-the-Fields, and Neville Marriner founded the orchestra as "The Academy of St. Martin-in-the-Fields", a small, conductorless string group. The ASMF gave its first concert on 13 November ...
St Martin-in-the-Fields is a painting of a child street vendor outside the church of St Martin-in-the-Fields in Trafalgar Square, London, painted by William Logsdail from 1888 in the collection of Tate Britain. [1] An engraving from the painting was published in The Graphic, 1894.