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He sang "Apna Bana Le", composed by Sachin-Jigar from Bhediya. [27] Singh's version of "Mere Dholna" and a duet song "Hum Nashe Mein Toh Nahin" with Tulsi Kumar were released from Bhool Bhulaiyaa 2 .
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ... List of chords. 1 language ...
The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: Minor: ... Name Image Sound # of chords Quality 50s progression: I ...
Kisi Ne Apna Bana Ke Patita (1953 film) Shankar–Jaikishan: Lata Mangeshkar: Hindi: Bhairavi: Raja Ki Ayegi Baraat Aah (film) Shankar–Jaikishan: Lata Mangeshkar: Hindi: Bhairavi: Mein Piya Teri Tu Maane Ya Maane Basant Bahar (film) Shankar–Jaikishan: Lata Mangeshkar: Hindi: Bhairavi: Mera Juta Hai Japani Shree 420: Shankar–Jaikishan ...
"Thanedaar Bana Le" Dilip Sen-Sameer Sen Mahender Dalvi solo Rock Dancer: 1077 "Sa Re Ga Ma" Bappi Lahiri Indeevar Vijay Benedict 1078 "Ek Room Ek Light" (version 1) Maya Govind 1079 "Ek Room Ek Light" Bappi Lahiri Saajan Ke Liye: 1080 "Saajan Ke Liye Bekaraar" Anwar Sagar, Nawab Arzoo solo 1081 "Jaadu Bhare Do Matwale" Sabse Bada Khiladi: 1082
The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
"Ek Pardesi Mera Dil Le Gaya" [6] with Mohammed Rafi "Tum Rooth Ke Mat Jaana" with Mohammed Rafi "Mai Soya Ankhiya Miche" with Mohammed Rafi "Bana De, Bana De, Bana De Prabhu Ji" with Mohammed Rafi "Sun Jaa Pukaar, Beet Na Jaaye Ye Bahaar" "Piyaa Piyaa Na Laage Moraa Jiya" "Teer Ye Chhupke Chalaaya Kisne" "Shokh Aankhen Tujh Ko Bula Rahi Hain"
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).