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Galleries that specialize in antique rugs, such as the Nazmiyal collection in New York City, buy and sell a tremendous amount of Scandinavian rugs, underscoring the growing popularity of such pieces and the increased public demand for Scandinavian rugs. The increased demand for such rugs by galleries and studios is tied to a very real increased ...
In the centuries that followed, Swedish rug-makers often infused their works with themes and motifs traditionally found in Oriental rugs. Eventually, Swedish rug-makers would begin to use Oriental rug-making techniques, but themes and motifs more consistent with the artistic and cultural heritage of Sweden. By the early modern periods, rugs had ...
Märta Måås-Fjetterström. Märta Livia Vilhelmina Måås-Fjetterström (21 June 1873 – 13 April 1941) was a leading Swedish textile artist in the early 20th-century. She is remembered in particular for the weaving studio she opened in Båstad in 1919 and for the decorative rugs she produced from the 1910s to the 1930s, increasingly combining rural Nordic traditions with modernist trends.
DOBAG carpets are delivered both with a leather tag and seal attached to the carpet for identification, as well as with a certificate stating the weaver's name, village, and region where the carpet was woven. DOBAG carpet weavers are paid per knot, thus ensuring a fair wage system. Once a carpet has been sold, the weaver is granted an ...
Saarinen was heavily influenced by Swedish craft tradition. She was one of the first artists to bring Scandinavian design to America. Her most substantial work was for Kingswood School where her studio designed tapestries, rugs, curtains, and upholstery. [1]
The "Marby rug", one of the finest examples, was preserved in a church of the Swedish town of Marby, and a bold adaptation of an originally Chinese "dragon and phoenix" motif is in Berlin. Both are rugs, less than 2 metres long, and about 1 metre wide, with two compartments, though the Berlin carpet lacks a border down one long side. [19]
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