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186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
The high altar in the Church of St Mary and All Saints, Chesterfield showing the reredos designed by Temple Moore. Temple Moore (1856–1920) was an English architect who practised from an office in London.
Doors were often surmounted by decorative fanlights in which the panes of glass might be supported by lead, but wood was also commonly used as the support for the glass in fanlights. Casement windows and fixed windows continued to employ leadlight, often with larger panes of rectangular rather than diamond shape.
Beaker with soldier and civilian shaking hands, Bohemian glass, later 19th century. Engraved glass is a type of decorated glass that involves shallowly engraving the surface of a glass object, either by holding it against a rotating wheel, or manipulating a "diamond point" in the style of an engraving burin.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
Above the window the flat surface of the arch remained without ornamentation or was pierced by small round windows. Romanesque art used, in addition to windows enclosed by the round arch, others surrounded by the trefoil or fan-arch, and even openings for light entirely Baroque in design, with arbitrarily curved arches. In the Gothic period the ...
Inside the temple, beehives are carved into the molding, and door handles that look like the Statue of Liberty torch are found throughout. Paintings on the walls of many of the rooms depict scenes from nature. The church has announced that the temple will close in 2024 for major renovations. [15]
The John J. Kinsella Company operated from 1872 to 1931 and was one of the larger firms producing stained glass and mirrors in Chicago at the time. They specialized in ecclesiastical stained glass art and employed some 50 people, according to the publication, Frueh's Chicago Stained Glass. [1] The stained-glass windows of St. James Ev.
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