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A fife and drum corps from the American Civil War. The drums are beaten using two sticks. Visual effects may be created by flourishes of the drum sticks; for example, bass drummers may swing the beaters in a flourish while the snare drummers roll (or when the beating leaves sufficient time to flourish).
During the American Civil War, music played a prominent role on each side of the conflict, Union (the North) and Confederate (the South). On the battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers.
Amateur historical reenactment groups and dedicated civil bands sometimes feature fife and drum corps sporting period military costumes from the Revolutionary War, the War of 1812, the Mexican War or the American Civil War. Military fife and drum bands can be heard in Germany, where they are part of the Bundeswehr.
Bruce's book, The Guide was published in 1862, and remains well known as a source for music for the fife and drum. It was the second book in history to use the word "rudiment" in conjunction with short, named exercises for the snare drum, the first being Charles Stewart Ashworth's A New Useful and Complete System of Drum Beating. [4]
The Excelsior Brigade Fife and Drum Corps (aka Excelsior Brigade of Fifes and Drums, Excelsior Brigade, or Western New York Field Music) was founded in 2000 as a combination Ancient Fife and Drum Corps and living history unit dedicated to authentically reproducing the sights and sounds of New York State volunteer militia field musicians as found during the American Civil War.
Hart was later praised for his instruction of the 102nd Regiment by its Drum Major Levi Elmendorf. [3] Near the beginning of the Civil War (dates differ among sources) he was hired by Quartermaster George W. Rosevelt of the 71st Regiment of the New York State Militia [4] to form a regimental band. Hart then set out to hire the best musicians he ...
Pre-American Civil War military fife and drum bands provided a rough framework which black musicians would fill with African and African-American influences to create a new music. Black fife and drum music persists in a stretch of Southern states stretching from northwest Georgia to an area south of Memphis, namely North Mississippi. The music ...
Hell on the Wabash appeared again in 1862, as a fife and drum duet in The Drummer’s and Fifer’s Guide by Emmett and George Barrett Bruce. [1] The name was printed "H--LL on the Wabash," a possible reference to the 1779 Siege of Fort Vincennes, the 1791 destruction of the U.S. Army at St. Clair's defeat, or the 1811 Battle of Tippecanoe ...