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Flesh and Spirit is made up of two horizontal panels hinged to create four quadrants, measuring a combined 12 by 12 feet. The title is a reference to Robert Farris Thompson’s 1983 book Flash of the Spirit: African and Afro-American Philosophy, which Basquiat said was "probably the best book I ever read on African art. It's one of the best."
It remained influential in his depictions of human anatomy, and in its mixture of image and text as seen in Flesh and Spirit (1982–83). Art historian Olivier Berggruen situates in Basquiat's anatomical screen prints Anatomy (1982) an assertion of vulnerability, one which "creates an aesthetic of the body as damaged, scarred, fragmented ...
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Bruno Bischofberger became Basquiat's art dealer and gave him a one-man show at his Zurich gallery in September 1982. [4] Bischofberger also represented Warhol and arranged a lunch meeting between the two artists on October 4, 1982. [5] Warhol documented the meeting in a diary entry, which was posthumously published in The Andy Warhol Diaries ...
The following is a list of significant artworks by the American artist Jean-Michel Basquiat (1960–1988), who played a historic role in the rise of street art and neo-expressionism. During his short yet productive career, Basquiat created more than 600 paintings and 1,500 drawings. [1] He started creating sculptures and mixed media works in 1979.
Taxi, 45th/Broadway is a painting created by American artists Jean-Michel Basquiat and Andy Warhol circa 1984–85. The artwork sold at Sotheby's for $9.4 million in November 2018. [ 1 ]
The shadowy figure is Stewart, but it could also represent any black man who has been brutalized by the police. The tags of graffiti artists Daze and Zephyr are on the artwork. [6] While Stewart was still in a coma, artist David Wojnarowicz created a flyer for a rally protesting Stewart's then "near-murder" in Union Square on September 26, 1983 ...
Dos Cabezas has been exhibited at the following art institutions: . Jean-Michel Basquiat at Whitney Museum of American Art in New York, October 1992–February 1993; The Menil Collection in Houston, March–May 1993; Des Moines Art Center in Iowa, May–August 1993; Montgomery Museum of Fine Arts in Alabama, November 1993–January 1994.
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