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A major point of De'VIA is its differentiation from Deaf Art. Deaf Art is a term encompassing all artists who are Deaf, while De'VIA art can be made by Deaf and hearing individuals, as long as it represents the Deaf experience and perspective. A hearing CODA (Child of deaf adult), for example, could be a contributor to De'VIA. Similarly, a Deaf ...
This can help disambiguate between word uses: un précieux insolent /œ̃ pʁe.sjø ɛ̃.sɔ.lɑ̃/ (pronounced without liaison) could mean "an insolent member of the précieuses literary movement" (précieux can be a noun), but with liaison un précieux insolent /œ̃ pʁe.sjø.z‿ɛ̃.sɔ.lɑ̃/ can only refer to a precious insolent person ...
Technique de mon langage musical ("The technique of my musical language"). Paris: Leduc, 1944. Vingt leçons d'harmonie ("20 harmony lessons"). Paris: Leduc, 1944. Traité de rythme, de couleur, et d'ornithologie (1949–1992) ("Treatise on rhythm, colour and ornithology"), completed by Yvonne Loriod. 7 parts bound in 8 volumes. Paris: Leduc ...
The charts below show the way in which the International Phonetic Alphabet (IPA) represents French language pronunciations in Wikipedia articles. For a guide to adding IPA characters to Wikipedia articles, see Template:IPA and Wikipedia:Manual of Style/Pronunciation § Entering IPA characters.
à la short for (ellipsis of) à la manière de; in the manner of/in the style of [1]à la carte lit. "on the card, i.e. menu"; In restaurants it refers to ordering individual dishes "à la carte" rather than a fixed-price meal "menu".
They can be used to connect clauses or phrases and express relationships such as cause, condition, or concession. Some common conjunctional phrases in French include: afin que (so that) à condition que (provided that) à moins que (unless), au cas où (in case), en dépit de (despite), pour que (so that, in order that), tant que (as long as).
Elision is indicated in the spelling of some compound words, such as presqu'île "peninsula", aujourd'hui "today", and quelqu'un "someone". At the beginnings of words, the aspirated h forbids elision. Example: Le Havre. The mute h, however, requires elision. Example: l'homme. Both types of "h" are silent regardless.
Pseudo-Dionysius the Areopagite in the 6th century, argued for the existence of "non-privatives", which transcend both affirmation and denial. For example, it is not quite correct to affirm that God is, nor to deny that God moves, but rather one should say that God is beyond-motion, or super-motive, and this is intended not just as a special ...