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When a poll asked readers of Twilight Zone Magazine which episode of the series they remembered the most, "Time Enough at Last" was the most frequent response, with "To Serve Man" coming in a distant second. [14] In TV Land's presentation of TV Guide's "100 Most Memorable Moments in Television", "Time Enough at Last" was ranked at No. 25. [15]
During an unproductive session at the typewriter in 1959, I said the hell with it and decided to go and lie down. While horizontal, with the dorsal muscles relaxed, I got the idea for "Time Enough," thus establishing a principle that I have followed successfully ever since: when you're not writing, get away from the typewriter.
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These days, I can't seem to escape the doomsday content, and I realized it a couple days back, while attending a screening of M. Night Shyamalan's latest thriller, Knock at the Cabin.
“Four in the morning at the Hungarian Slovakian border. This was a real movie-magic kind of day, because 90% of the time you’re on set, something happens against you: it rains, it gets dark ...
Time Enough for Love recounts how, during 1916, Maureen and her father are visited by a mysterious man who calls himself Theodore Bronson. Bronson and Maureen are mentally and physically attracted to one another, and even go on a date and attempt to have sex, but are thwarted by young "Woody," who sneaks along, hidden in the back of the car.
The remake's end scene is “heartbreaking and kind of bittersweet in a way because she's doing a good deed and she's breaking the curse, but she's also indulging in a dark desire that she has ...
Serling's narration begins with the opening scene of Stansfield in suspended animation: It may be said with a degree of assurance that not everything that meets the eye is as it appears. Case in point, the scene you're watching. This is not a hospital, not a morgue, not a mausoleum, not an undertaker's parlor of the future.