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Morgan Krantz as Felix Bell, Murphy's colleague at Guiding Hope who becomes a trusted ally & later on in the series a trusted friend. Thamela Mpumlwana as Tyson Parker (season 1; guest season 4), a teenager who saved Murphy from a violent mugging two years previously, and became her closest friend until his untimely death.
Rest in peace, Romy Walthall. The Camp Nowhere star has died, her son, Morgan Krantz, confirmed on Instagram on May 27. She was 57. "Rip Mom. I love you ️🔥," Krantz wrote alongside a ...
Judith Krantz (1928–2019), American author and journalist; Kermit E Krantz, American physician and inventor; Morgan Krantz, American actor and writer; Steve Krantz (1923–2007), American film producer and writer; Steven G. Krantz, American mathematician; Tobias Krantz (born 1971), Swedish politician; Wayne Krantz, American musician
0s & 1s is a 2013 American comedy-drama film directed by Eugene Kotlyarenko, starring Morgan Krantz, Jeremy Blackman, Ryan Reyes, Matty Cardarople, Ahna O'Reilly and Alexi Wasser. Cast [ edit ]
Walthall’s son, actor and director Morgan Krantz, confirmed her death to Variety. Born on Sept. 16, 1963 in Pasadena, Texas, Walthall got her start in the entertainment industry by winning the ...
Krantz gives orders for Michael to be given a medical treatment that could kill him, but which will certainly damage his mind; however, he manages to escape with Tancredi's help. He tells Tancredi that he believes his mother is alive. Morgan takes the team to a location where they are ambushed by Scott's men.
Sasha Feldman and Morgan Krantz as Sticky and Ron, a pair of drug users and petty criminals who become Jimmy's clients. Josh Fadem as Camera Guy, a UNM film student who helps Jimmy on various projects and schemes. Hayley Holmes as Make-up Girl, a UNM film student. Julian Bonfiglio as Sound Guy, a UNM film student.
The protagonist, Mitchell (Morgan Krantz) suffers from neuroticism and exhibits high levels of anxiety, moodiness, and jealousy. A regular situation is over analyzed and the audience is taken through Mitchell's train of thought in the form of a visual depiction and monologue.