Search results
Results from the WOW.Com Content Network
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [24] [13] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
Rasa Renaissance is a movement in the art of painting that makes evocation of rasas (emotional moods) the prime aim in the creation and appreciation of a work of art. Rasa is the quality of emotional fulfilment that a work of art produces through the personalities, their expression and the situation presented in a painting.
Chapters 6 and 7 present the "Rasa" theory on aesthetics in performance arts, while chapters 8 to 13 are dedicated to the art of acting. [ 43 ] [ 44 ] Stage instruments such as methods for holding accessories, weapons, relative movement of actors and actresses, scene formulation, stage zones, conventions and customs are included in chapters 10 ...
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [2] [3] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
Rasa is an essential aspect in any good art and the realization of the Rasa is a result of the integration of Stimulus (Vibhava), involuntary reaction (Anubhava), and transitory psychological states or voluntary reactions (Vyabhicaribhava).
Abhinaya (Sanskrit abhi-'towards' + nii-'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (bhava) of a sentiment (rasa). The concept, derived from Bharata Muni's Natya Shastra, is used as an integral part of all Indian classical dance styles. [1]
Hāsya (Sanskrit: हास्य) is a Sanskrit word [1] for one of the nine rasas or bhava (mood) of Indian aesthetics, usually translated as humour or comedy. [2] [3] The colour associated with hasya is white and deity, Pramatha, [4] and leads to exultation of the mind.
Mumbiram is an Indian painter and author known for his leadership of the Rasa Renaissance art movement. He is best known for his renderings, in charcoal and color media, of the folk people of India in real-life situations.