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Three Colours: White (French: Trois couleurs: Blanc, Polish: Trzy kolory: Biały) is a 1994 arthouse psychological comedy-drama film co-written, produced and directed by Krzysztof Kieślowski. [ 3 ] [ 4 ] White is the second in the Three Colours trilogy , themed on the French Revolutionary ideals , following Blue and preceding Red .
A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to their past. In the case of Blue, it is the lamp of blue beads, and a symbol seen throughout the film in the TV of people falling (doing either sky diving or bungee jumping); the director is careful to show falls with no cords at the beginning of the film, but as the story develops the ...
Back in theaters almost 30 years since it first debuted, Krzysztof Kieślowski's "Three Colors" trilogy finds a mystical hope in desolate times.
Three Colours: Red (French: Trois couleurs: Rouge, Polish: Trzy kolory: Czerwony) is a 1994 drama film co-written, produced and directed by Polish filmmaker Krzysztof Kieślowski. It is the final installment of the Three Colours trilogy , which examines the French Revolutionary ideals ; it is preceded by Blue and then by White .
It is the first instalment in the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality and fraternity, followed by White and Red (both 1994). According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning. [2]
Three Colors: White (1994) Three Colors: Red (1994) Professional ratings; Review scores; Source Rating; Allmusic [1] White is the soundtrack to the film Three Colors ...
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The film suggests mysterious connections of personality and emotion, but it was never meant to yield any neat, summary idea about the two women's lives." [8] In his review in the Chicago Sun-Times, Roger Ebert wrote, "The movie has a hypnotic effect. We are drawn into the character, not kept at arm's length with a plot."