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[9] [10] Deccani arose as a lingua franca under the Delhi and Bahmani Sultanates, as trade and migration from the north introduced Hindustani to the Deccan. It later developed a literary tradition under the patronage of the Deccan Sultanates. Deccani itself came to influence modern standard Urdu and later Hindi. [7] [11]
The secret class of ḍākinī is prajnaparamita (Tibetan yum chenmo), the empty nature of reality according to Mahayana doctrine. The inner class of ḍākinī is the ḍākinī of the mandala , a meditational deity (Tibetan: yidam ) and fully enlightened Buddha who helps the practitioner recognise their own Buddhahood.
Deccani (also Dakhini, Dakhni or Dekhani) is anything related to the Deccan region of India. Specifically, it may be: Deccani language, an Indo-Aryan language spoken in southern India, closely related to Urdu Deccani Muslims, speakers of Deccani; Deccani film industry, Deccani-language film industry based in Hyderabad, India
The Deccanis or Deccani people are an Indo-Aryan ethno-religious community of Deccani-speaking Muslims who inhabit or are from the Deccan region of India. [2] The community traces its origins to the shifting of the Delhi Sultanate's capital from Delhi to Daulatabad in 1327 during the reign of Muhammad bin Tughluq. [3]
Early forms of present-day Hindustani developed from the Middle Indo-Aryan apabhraṃśa vernaculars of present-day North India in the 7th–13th centuries. [33] [38] Hindustani emerged as a contact language around the Ganges-Yamuna Doab (Delhi, Meerut and Saharanpur), a result of the increasing linguistic diversity that occurred during the Muslim period in the Indian subcontinent.
The term bazaar Hindustani, in other words, the 'street talk' or literally 'marketplace Hindustani', also known as Colloquial Hindi [a] or Simplified Urdu [b], has arisen to denote a colloquial register of the language that uses vocabulary common to both Hindi and Urdu while eschewing high-register and specialized Arabic or Sanskrit derived ...
Charminar. The culture of Hyderabad, also known as Hyderabadi Tehzeeb (حیدرآبادي تہذیب ) or Dakhini Tehzeeb (دکني تہذیب ), [1] is the traditional cultural lifestyle of the Hyderabadi Muslims, and characterizes distinct linguistic and cultural traditions of North and South India, which meet and mingle in the city and erstwhile kingdom. [2]
According to John Reynolds, Simhamukha is surrounded by her retinue of four Dakinis who resemble herself, except for their body-color and certain attributes: in the east there is the white Buddha Simhamukha who has the magical function of pacifying circumstances and healing, in the south is the yellow Ratna Simhamukha who has the magical function of increasing wealth and prosperity, in the ...