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"Have a Cuppa Tea" is a song written by Ray Davies and performed by the Kinks on their 1971 album Muswell Hillbillies. Like many Kinks songs, it is stylistically influenced by the British Music Hall. It also has a slight country influence—with the mesh of these two styles being a hallmark of the album. It is believed to be about Ray and Dave ...
Its songs include the well-known "Tea for Two" and "I Want to Be Happy". After a pre-Broadway tour in 1924, the musical was revised for a production later 1924 in Chicago, where it became a hit and ran for more than a year. In 1925 No, No, Nanette opened both on Broadway and in London's West End, running for 321 and 665 performances ...
Ultimate Guitar (Ultimate Guitar USA LLC), also known as Ultimate-Guitar.com or simply UG, is an online platform for guitarists and musicians, started on October 9, 1998 by Eugeny Naidenov [1] and based in San Francisco, US.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
"Tea for Two" is a 1924 song composed by Vincent Youmans, with lyrics by Irving Caesar. [ 4 ] [ 5 ] It was introduced in May 1924 by Phyllis Cleveland and John Barker during the Chicago pre- Broadway run of the musical No, No, Nanette .
"Tea in the Sahara" is a song by the British new wave band the Police. Written by Sting, the song appeared on the band's final album, Synchronicity. It was written about the Paul Bowles novel The Sheltering Sky. A live version of "Tea in the Sahara" appeared as the B-side to "King of Pain" in Britain and "Wrapped Around Your Finger" in America.
Tahiti Trot (Russian: Таити трот, romanized: Taiti trot) (or Tea for Two), [1] Op. 16, is an arrangement for symphony orchestra by Dmitri Shostakovich of the song "Tea for Two" from the musical No, No, Nanette by Vincent Youmans. It was composed in 1927 and resulted from a bet between the composer and the score's dedicatee, Nicolai Malko.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...