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Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Through this ambiguity of personhood, the beloved is an ideal of love where deeper reflections of life, death, and god can be expressed. [14] Therefore, love in the ghazal is not only that of factual human love affairs (ishq-e-mijazi), but also of a divine union and mystical transcendence (ishq-e-haqaqi). [23]
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
1518 – 5 June 1580: Abdul Rahim Khan-I-Khana (1556 – 1627) Wrote poetry primarily in Persian, but also in Hindavi: Ali Adil Shah I: 1558–1579: Muhammad Quli Qutb Shah (1565–1611) Kulliyat-e-Quli Qutub Shah wrote poetry primarily in Persian, but also in Hindavi: Ibrahim Adil Shah II: 1571 – 12 September 1627: Chandar Bhan Brahman ...
He uses woman as a symbol that stands for beauty and love permeating the whole universe. [3] Variegated aspects and artistic skills of Shairani's poetry lend him a place in modern Urdu poetry. His influence on Urdu literature, and poetry in particular, earned him a repute of trendsetter. [3] His famous poems include: "Ae ishq kahin le chal"
Zehra Nigah (Urdu: زہرا نگاہ) is a prominent Urdu poet and scriptwriter from Pakistan, affectionately known as 'Zehra Apa'. [3] [4] [2] As one of the pioneers of Urdu poetry by women, Nigah was one of the first female poets to gain recognition in a male-dominated field.
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The recurring theme of elusive love is often explored in ghazals such as "Wo tou khushbu hai" (He is fragrance), where the poet describes the essence of love as fleeting and intangible, like a scent. For example, in "Khushbu bhi us k tarz-e-pazeerai per gai" (Fragrance also goes by his style of welcome), the poet suggests that even fragrance is ...
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