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In rhetoric, epizeuxis, also known as palilogia, is the repetition of a word or phrase in immediate succession, typically within the same sentence, for vehemence or emphasis. [ 1 ] [ 2 ] A closely related rhetorical device is diacope , which involves word repetition that is broken up by a single intervening word, or a small number of ...
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
For example, Io may be pronounced either / ˈ aɪ oʊ / or / ˈ iː oʊ /. Both are "correct". However, it may be impractical to list all possible pronunciations. In such cases, the traditional (literary) pronunciation is the most difficult as well as the most anglicized and is therefore the one that should be transcribed. Other conventions are ...
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...
Such phenomena are conditioned lexically and regionally. For example, for the word difficile 'difficult', the standard pronunciation [d͡zifisɪl] is found throughout Quebec, but the alternative pronunciations [d͡zifɪsɪl], [d͡zɪfɪsɪl] and [d͡zɪfsɪl] are also used. The phonemes /a/ and /ɑ/ are distinct.
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
In the interest of historically informed performance, some singers of Medieval, Renaissance and Baroque music adopt the pronunciation of the composer's period and region. While in Western university classics departments the reconstructed classical pronunciation has been general since around 1945, [ citation needed ] in the Anglo-American legal ...
supervised use of a name. For the conventional use of the term, see Appellation d'origine contrôlée. appetence 1. A natural craving or desire 2. An attraction or affinity; from the French "appétence", derived from "appétit" (appetite). In French, this has a high register language. après moi, le déluge lit.