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The soundtrack to Harry Potter and the Philosopher's Stone (titled Harry Potter and the Sorcerer's Stone in the United States) was released on 30 October 2001. The film's score was composed and conducted by John Williams. The soundtrack was nominated for Best Original Score at the 74th Academy Awards.
The soundtrack was released on 12 November 2002, and was a Grammy Award nominee for the Best Score Soundtrack for Visual Media in 2003. It charted on the Billboard 200 at 81 and also charted at 5 on the Top Soundtracks Chart. [ 1 ]
Harry Potter and the Order of the Phoenix (Original Motion Picture Soundtrack) is the soundtrack to the 2007 film of the same name, based on the book by J. K. Rowling. Nicholas Hooper composed the film's score, following John Williams, who scored the first three films, and Patrick Doyle, who did the fourth.
Other musicians credited with writing the Harry Potter music include Jarvis Cocker, The Ordinary Boys, and Nick Cave and the Bad Seeds. Jeremy Soule and James Hannigan wrote the music for the Harry Potter video games. J. Scott Rakozy, Peter Murray, and Chuck E. Myers "Sea" composed the music for Hogwarts Legacy.
It is the second Harry Potter film to be scored by Hooper, who also composed the score for the previous film in the series, Harry Potter and the Order of the Phoenix. The soundtrack was released on 14 July 2009, a day before the film's release, and was nominated for a Grammy Award for Best Score Soundtrack Album for a Motion Picture.
The soundtrack entered the Billboard 200 at position eighty for the Week Ending 3 December, [2] and also charted at four on the Top Soundtracks Chart. [3] Songs 22-24 are the songs playing during the Yule Ball scene when The Weird Sisters band came out and played. The Yule Ball theme ("Potter Waltz") is derived from Symphony No. 3 by Samuel Wesley.
The reception for the soundtrack of Part 1 was overall positive. The first review of the soundtrack was released on 31 October 2010 by Jonathan Broxton, who rated the score 5/5, saying that "This score is one of Desplat’s greatest achievements and highlights everything I love about his work; the orchestral textures, the intricate use of unexpected instruments in unexpected settings, the ...
This is the final movie in the Harry Potter series to use Hedwig's Theme in its original, gradually building form during the opening (until the credits of Deathly Hallows Part 2). This version includes a slightly more ominous celesta melody, and retains the woodwind melody, but features a short harp motif at the end.