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Spool knitting, loom knitting, corking, French knitting, or tomboy knitting is a form of knitting that uses a spool with a number of nails or pegs around the rim to produce a tube or sheet of fabric. The spool knitting devices are called knitting spools, knitting nancys, knitting frame, knitting loom, or French knitters.
Tablet weaving on an Inkle loom. The fundamental principle is to turn the tablets to lift selected sets of threads in the warp. The tablets may be turned in one direction continually as a pack, turned individually to create patterns, or turned some number of times "forward" and the same number "back".
The art that is worked on the takadai is a braid, not a weave. Although many of the patterns used on this braiding stand resemble the up and down motion of a weave, since each thread takes a turn at being both the weft and the warp, it is a braid. On the takadai it is possible to make intricate patterns using a technique called "pick-up braids ...
The warp tension needed on a loom is roughly proportional to yarn diameter, and loom weights must be positioned in an even, level row, with all the threads hanging nearly straight down, for smooth weaving. This means that the shape of a loom weight limits a loom to certain thread counts, and the mass of the loom weight is related to the yarn ...
It was a frame loom, equipped with treadles to lift the warp threads, leaving the weaver's hands free to pass and beat the weft thread. [47] A pit loom has a pit for the treadles, reducing the stress transmitted through the much shorter frame. [48] In a wooden vertical-shaft loom, the heddles are fixed in place in the shaft.
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A table-top inkle loom was patented by Mr. Gilmore of Stockton, CA in the 1930s but inkle looms and weaving predate this by centuries. Inkle weaving was referred to 3 times in Shakespeare: in Love's Labour's Lost (Act III, Scene I), Pericles, Prince of Tyre (Act V), and in The Winter's Tale (Act IV, Scene IV). [6]