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She has also written or co-written several of her songs. Widely recognized as the " Goddess of Pop ", Cher has sold over 100 million records worldwide (as a solo artist) [ 1 ] [ 2 ] and a further 40 million as part of Sonny & Cher , making her one of the best-selling female recording artists in history .
"One Owner Heart" is a song written by Walt Aldridge, Mac McAnally and Tom Brasfield, and recorded by American country music artist T. G. Sheppard. It was released in November 1984 as the second single and title track from the album One Owner Heart. The song reached #4 on the Billboard Hot Country Singles & Tracks chart. [1]
One from the Heart is a soundtrack album of Tom Waits compositions for the Francis Ford Coppola film of the same name. [4] It was recorded from October 1980 to September 1981. It was during this period that Waits met his wife Kathleen Brennan , an employee at the studio where it was recorded. [ 4 ]
"One Heart" was composed and produced by John Shanks and Kara Dioguardi. [7] It is an upbeat, dance-pop song, [8] which draws from club-friendly house anthems, [9] about the power of love [10] and how determination and support can help a person through their problems. [11]
The song was written by musician Brian Ray along with one-time Tommy Tutone keyboardist Steve LeGassick. The B-side, "Love Will Set You Free", is from the 1986 film Solarbabies. The song was heard in the opening credits of the 1987 romantic comedy film Cross My Heart starring Martin Short and Annette O'Toole.
"Change of Heart" is a song by Australian rock musician, Jimmy Barnes. Released in May 1995 as the lead single from his eighth studio album, Psyclone (1995). The song peaked at number 17 on the Australian ARIA Singles Chart .
If your biggest concern about your heart is the burn you feel at 3 a.m., flip over to the left side and drift back to sleep. "Sleeping on the left side often helps with acid reflux," Dr. Vuppuluri ...
The song begins with a minor i chord in the key of D minor, moves to a major IV, comes back to the minor i, and then moves to a major VI chord, a IV in the key of F. The song then modulates to the key of F major (the relative major of D minor) through a substituted plagal cadence, using a I-ii progression to solidify the new tonic of F.