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DAF/DOS was an electronic music project formed by Gabriel "Gabi" Delgado-López in 1995 as a continuation of his work with Deutsch Amerikanische Freundschaft (D.A.F.) (the 'DOS' in the band name refers to the Spanish word for 'two').
Nur Noch Einer ("Down to One" or "Just One More") is the final studio album by Deutsch Amerikanische Freundschaft, released on 26 November 2021 on Grönland Records. Gabi Delgado-López and Robert Görl had planned to do a DAF album in 2020. [4]
Deutsch Amerikanische Freundschaft (German pronunciation: [ˈdɔʏtʃ ʔameʁiˈkaːnɪʃə ˈfʁɔʏntʃaft]; "German-American Friendship"), or D.A.F., was a German electropunk/Neue Deutsche Welle band from Düsseldorf, formed in 1978 featuring Gabriel "Gabi" Delgado-López (vocals), Robert Görl (drums, percussion, electronic instruments), Kurt "Pyrolator" Dahlke (electronic instruments ...
On 22 February 2022, a year after they announced their breakup, Daft Punk updated their social media channels with cryptic posts leading to a new Twitch account. At 2:22pm UTC, a one-time only stream began of Daft Punk's full Daftendirektour performance at the Mayan Theater. [1]
It is their only album in English rather than German. Singer Gabi Delgado-López later noted: "So we wanted to break our own rules and said: OK, so now we sing in English, now we don’t wear black. (laughing) With purpose. Because we wanted to break our own rules." [2] The album charted for one week on the Swedish album charts at No. 46. [3]
Fünfzehn neue D.A.F.-Lieder (Fifteen New D.A.F. Songs) is a 2003 album by Deutsch Amerikanische Freundschaft, their first since 1986.. Critics considered it to echo the sound and feel of their older work.
Miriam Anzovin is an American-Jewish writer, artist and social media personality. [1] Her work focuses on American Jewish communal life and is best known for her Daf Reactions series of videos explaining passages from the Talmud posted to TikTok [2] and other social media platforms.
The AllMusic Guide to Electronica calls it "defiantly non-melodic though not exactly harsh" and finds it a "disappointing album." [2] Trouser Press noted that the album is more varied than the two before it, with styles "from funk to rock'n'roll to distorted metal drone before returning to a dance blowout for the final track."