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In the 1990s, dialect coaches became significant in the film industry as more filmmakers began employing them to train actors to speak in accents. The Los Angeles Times described the general training approach, "It's a process that involves repetition, studying audio- and videotapes, visits to locations where the characters live, along with breathing and vocal exercises."
For example, in This is fun, this is is at pitch 2, and fun starts at level 3 and glides down to level 1. But if the last prominent syllable is not the last syllable of the utterance, the pitch fall-off is a step. For example, in That can be frustrating, That can be has pitch 2, frus-has level 3, and both syllables of -trating have pitch 1. [22]
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Undertone singing. Undertone singing is a set of singing techniques in which the vocalist makes use of vibrations of the vocal apparatus [1] in order to produce subharmonic tones below the bass tone and extend the vocal range below the limits of the modal voice. [2]
For example, the present habitual tense has tones on the first and penultimate syllables, the recent past has a tone after the tense-marker -na-, the subjunctive has a tone on the final syllable and the potential is toneless. The tones apply, with minor variations, to all verbs, whether the stem is long or short:
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When phonemes are in free variation, speakers are sometimes strongly aware of the fact (especially if such variation is noticeable only across a dialectal or sociolectal divide), and will note, for example, that tomato is pronounced differently in British and American English (/ t ə ˈ m ɑː t oʊ / and / t ə ˈ m eɪ t oʊ / respectively), [5] or that either has two pronunciations that are ...
Harsh voice, also called ventricular voice or (in some high-tone registers) pressed voice, is the production of speech sounds (typically vowels) with a constricted laryngeal cavity, which generally involves epiglottal co-articulation.