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Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
Mozart sometimes used a variant type of sonata rondo form in which the first "A" section of the recapitulation is omitted. Thus: [A B' A] exp [C"] dev [B A] recap Mozart's purpose was perhaps to create a sense of variety by not having the main theme return at such regular intervals.
Early examples of sonata form resemble two-reprise continuous ternary form. [1] Sonata form, optional features in parentheses [2]. The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation.
Sonata Theory understands the rhetorical layout of a sonata as progressing through a set of action spaces and moments of "structural punctuation." [8] These action spaces largely correlate with the "themes" or "groups" of the sonata, though each space is differentiated primarily by the unique generic goal that the music pursues within that particular space.
The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of the name.
Finally, the loud E ♭ chord that begins the Opus 35 variations themselves is moved here to the beginning of the first movement, in the form of the two chords that introduce the first movement. Alternatively, the first movement's resemblance to the overture to the comic opera Bastien und Bastienne (1768), composed by twelve-year-old W. A ...
The first movement is in sonata form and common time: it has a repeated exposition with two subject groups, a development section, a recapitulation and a coda. [2] The movement opens with repeated pianissimo chords in a straightforward but anxious rhythm, devoid of melody for two bars:
Of Sibelius's multi-movement symphonies, this is the only one where every movement is in a major key. The symphony's form is symmetrical when it comes to tempo: the first movement starts slow but ends with the fast scherzo. The second movement is neither slow nor fast; it forms a calm intermezzo. Then the third movement begins fast but ends slowly.