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Carlo Carrà (Italian: [ˈkarlo karˈra]; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan.
Media in category "Paintings by Carlo Carrà" The following 4 files are in this category, out of 4 total. Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg 765 × 606; 231 KB
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
The Funeral of the Anarchist Galli (Il Funerale dell’anarchico Galli) is a painting by Italian painter Carlo Carrà. It was finished in 1911, during the artist's futurist phase, and is considered Carrà's most famous piece. The piece depicts the violent funeral of anarchist Angelo Galli, an event Carrà witnessed in his early adulthood. The ...
Fluid paint, in general, is a moveable form of acrylic paint. Fluid paints can be used like watercolors, for acrylic pouring, or for glazing and washes. To create a more fluid consistency, water or a pouring medium is added to the paint. The ratio of paint to water/pouring medium depends on how thick the glaze or pouring paint is expected to be.
The stormy chiaroscuro paintings of Caravaggio and the robust, illusionistic paintings of the Bolognese Carracci family gave rise to the baroque period in Italian art. Domenichino , Francesco Albani , and later Andrea Sacchi were among those who carried out the classical implications in the art of the Carracci.
Born in Prestinone into a humble family of Valle Vigezzo farmers in 1871, his talent emerged after he began attending courses in painting, drawing and ornamentation at the local Rossetti Valentini Art School [1] in Santa Maria Maggiore, where he became close friends with other future painters such as Giovanni Battista Ciolina, Gian Maria Rastellini and Lorenzo Peretti Junior, and absorbed the ...
He was the son of a sculptor, but he preferred painting, and was placed under the care of Giulio Quaglio. He subsequently trained also with Giovanni Battista Colomba . [ 1 ] He afterwards studied at Venice and at Rome, with Francesco Trevisani until he was 23 years of age, when he visited Germany, where he has left works in oil and in fresco at ...