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The Return of the Prodigal Son (1773) by Pompeo Batoni. The Parable of the Prodigal Son (also known as the parable of the Two Brothers, Lost Son, Loving Father, or of the Forgiving Father; Greek: Παραβολή του Ασώτου Υιού, romanized: Parabolē tou Asōtou Huiou) [1] [2] is one of the parables of Jesus in the Bible, appearing in Luke 15:11–32.
The Prodigal Son, also known as Two Sons, Lost Son, the Prodigal Father, [15] the Running Father, [16] and the Loving Father, the third and final part of the cycle on redemption, also appears only in Luke's Gospel (verses 11-32). It tells of a father who gives the younger of his two sons his share of the inheritance before he dies.
The story of the Prodigal Son is told in Luke 15:11-32. The story begins with an unnamed son (the "Prodigal Son") asking his father for his inheritance. After receiving his inheritance, the son travelled to a distant country where he spent all of his money recklessly. After a famine took place in that country he found himself desperately poor.
Verses 1 to 8a tell a story about a steward who is about to be dismissed, but "curries favor" with his master's debtors by remitting some of their debts. The New International Version calls this story "the parable of the shrewd manager", [ 4 ] reflecting the wording of verse 8a where "the master commended the dishonest manager because he had ...
The Return of the Prodigal Son) is a short story by André Gide. Gide wrote the story in early 1907. It is based on the Biblical parable of the prodigal son. The story begins with the prodigal son returning home, not repentant, but hungry, poor, and frustrated at having failed to achieve his goal.
The Return of the Prodigal Son (Dutch: De terugkeer van de verloren zoon) is an oil painting by Rembrandt, part of the collection of the Hermitage Museum in St. Petersburg. It is among the Dutch master's final works, likely completed within two years of his death in 1669 . [ 1 ]
The poem Tears of the Prodigal Son draws on the well-known biblical Parable of the Prodigal Son found in Luke 15:11–32, the basis of which forms a story on a father forgiving his son's spendthriftness and greed, after the son comes back home remorseful of his actions. Gundulić adapts and heavily elaborates the original storyline, but still ...
The London Prodigal has been dated as early as c. 1591, and as late as 1603–04. It is one of a long series of "prodigal son" plays that reach back as far as the Bible for inspiration and precedent; but it is also an example of the evolving Elizabethan genre of domestic dramas, and is "one of the first naturalistic dramas in English".