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[8] In April 2023, the organization's name changed to the Institute for the Study of Ancient Cultures, West Asia & North Africa, abbreviated as ISAC. [9] The institute's new logo features a lotus flower, which is found in ancient Assyrian, Mesopotamian, and Egyptian art, as well as being a decorative motif on the ISAC building. [10]
Ancient artisans’ village in Deir el-Medina. The Deir el-Medina strikes were a series of strikes by the artisans who worked on the tombs in the Egyptian Valley of the Kings, the most notable of which occurred in the 29th year of the reign of Ramesses III (circa 1158 BC).
Deir el-Medina (Egyptian Arabic: دير المدينة), or Dayr al-Madīnah, is an ancient Egyptian workmen's village which was home to the artisans who worked on the tombs in the Valley of the Kings during the 18th to 20th Dynasties of the New Kingdom of Egypt (ca. 1550–1080 BC). [1]
Museum of Fine Arts, Budapest, four mummies – the priestess Hortesnakht of Akhmim, [33] the lady Rer of Saqqara, [33] an unidentified man from the 4th or 3rd century BCE (known as "the mummy from Szombathely" after the location of the previous collection he was part of) [34] and a man from the 2nd century BCE (known as "the unwrapped mummy" as he was already unwrapped when the museum ...
Frank J. Yurco specifically outlined in a 1989 article that: "The ancient Egyptians, like their modern descendants, were of varying complexions of color, from the light Mediterranean type (like Nefertiti), to the light brown of Middle Egypt, to the darker brown of Upper Egypt, to the darkest shade around Aswan and the First Cataract region ...
Ritner, Robert K. (1989), "Horus on the crocodiles: a juncture of religion and magic in late dynastic Egypt", in Simpson, William Kelly (ed.), Religion and philosophy in ancient Egypt, New Haven, Connecticut: Yale Egyptological Seminar, Dept. of Near Eastern Languages and Civilizations, Yale University, ISBN 0912532181, OCLC 20996843
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The scribal profession worked with painters and artisans who decorated reliefs and other building works with scenes, personages, or hieroglyphic text. However, the physical aspect of their work sometimes took a toll on their joints, with ancient bones showing some signs of arthritis that might be attributable to their profession. [18]
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