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The song was not released as single in Australia but was included on the Clunk EP, which peaked at number three on the Australian ARIA Singles Chart in 1992. [1] " Ordinary Angels" was released in North America and Europe in 1993 and was included on their first full-length album Marvin the Album .
Frente! / f r ɛ n t eɪ / (or Frente) is an Australian folk-pop and indie pop group which originally formed in 1989. The original line-up consisted of Simon Austin on guitar and backing vocals, Angie Hart on lead vocals, Tim O'Connor on bass guitar (later replaced by Bill McDonald), and Mark Picton on drums (later replaced by Alastair Barden, then by Peter Luscombe).
Frente! had formed in 1989 by Simon Austin on guitar and backing vocals, Angie Hart on lead vocals, Tim O'Connor on bass guitar and Mark Picton on drums and recorder. [1] [2] O'Connor was moving to a new address in Kenny Street, Richmond, Victoria – he mistakenly told his bandmates that it was Kelly Street; "I'm going to write a song about the house" he later told them. [2]
At the ARIA Music Awards of 1993, the group won 'Breakthrough Artist – Album' for Marvin the Album and Breakthrough Artist – Single for "Ordinary Angels". [8] The album was also nominated for Best Cover Art (by Angie Hart and Louise Beach) and "Ordinary Angels" was nominated for Best Video (directed by Robbie Douglas-Turner). [8]
Clunk is the second extended play (EP) by Australian alternative rock group Frente!.The five-track EP, produced by Daniel Denholm, was released in March 1992 via the White Label imprint of Mushroom Records.
It should only contain pages that are Frente! songs or lists of Frente! songs, as well as subcategories containing those things (themselves set categories). Topics about Frente! songs in general should be placed in relevant topic categories .
The 1994 "Snow Baby of Louisville" story, in which an emergency liver transplant saved a young girl, is turned into an acting showcase for a two-time Oscar winner.
"Paper, Bullets, Walls" finds Frente! in a more upbeat groove. Overall, the band had a classic pre-grunge, alternative sound." [3] Double J named the title song in the top fifty Australian songs of the 1990s, saying, "This bare-bones song showed the world why we were all so captivated by Hart's voice. For all the comparisons people made to ...