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During the early 1860s, the hoops of the skirts were also taking on an elliptical shape, with a much fuller back and a narrower front silhouette. [11] The ensuing conical shaped skirts have also inspired the steampunk fashion. At the beginning of the 20th century, skirts that were flared at the hem became popular.
The former is well accepted as being an authentic shape as such form of skirt was unearthed in archeological findings; thus proving the correctness of the one-piece style qixiong ruqun whereas the latter is controversial as it is a style which (so far) can only be found in ancient paintings, such as the Tang dynasty "A palace concert" painting.
The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
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A farthingale is one of several structures used under Western European women's clothing - especially in the 16th and 17th centuries - to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for ...
For her performance, the pop superstar arrived in a subtly patriotic dress from Schiaparelli, which featured a ballooning red skirt, navy top, and a large golden brooch in the shape of a dove ...
During the mid-1890s, skirts took on an A-line silhouette that was almost bell-like. The late 1890s returned to tighter sleeves often with small puffs or ruffles capping the shoulder but fitted to the wrist. Skirts took on a trumpet shape, fitting more closely over the hip and flaring just above the knee.
Swift’s look was a far cry from the sparkly pink beaded Roberto Cavalli bralette and skirt that she wore on stage during her record-shattering tour, which wrapped December 8 in Vancouver.
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