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Notre-Dame de Reims (/ ˌ n ɒ t r ə ˈ d ɑː m, ˌ n oʊ t r ə ˈ d eɪ m, ˌ n oʊ t r ə ˈ d ɑː m /; [2] [3] [4] French: [nɔtʁə dam də ʁɛ̃s] ⓘ; meaning "Our Lady of Reims"), [a] known in English as Reims Cathedral, is a Roman Catholic cathedral in the French city of the same name, the archiepiscopal see of the Archdiocese of Reims.
The Smiling Angel (French: L'Ange au Sourire), also known as the Smile of Reims (Le Sourire de Reims) or Angel of the Annunciation, is a stone sculpture at the cathedral of Reims. Sculptors that were pioneers of the Gothic style came from workshops in Chartres, Paris and Amiens to work on the Reims Cathedral. [ 1 ]
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer .
Abraham holding little figures of souls in a cloth, as angels bring additional figures. Reims Cathedral. The Bosom of Abraham Trinity, also known as the Trinity with souls, is a rare iconography apparently unique to English medieval alabaster sculpture, of which only twelve examples are known to have survived, although there were undoubtedly many more made. [1]
English: Reims, cathedral, sculptures on the south portal. Deutsch: Reims, Kathedrale, Skulpturen am Südportal. ... View this and other nearby images on: OpenStreetMap
Antoine Ferrand de Monthelon, founder of the school of drawings, bequeaths in 1752, his collection to the city of Reims.Organizer and first curator of the Museum of Reims (1793–1806), Nicolas Bergeat [1] safeguarded works of art seized from the Catholic institutions in Reims and first official deposit was recorded on 10 Vendémiaire, Year II in the former hospice of Magneuses. [2]
The Musée Saint-Remi is an archeology and art museum in Reims, France.The museum is housed in the former Abbey of Saint-Remi, founded in the sixth century and which had been keeping since 1099 the relics of Saint Remigius (the Bishop of Reims who converted Frankish king Clovis I to Christianity in 496).
The labyrinth was the shape of a complex square with cut corners and sides of 10.36 metres (11.33 yd) . [1] The paths were 27.94 centimetres (11.00 in) wide, separated by lines of dark blue stone from Ardennes of a width of 11.43 centimetres (4.50 in). [2]
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