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Leaf from a vellum manuscript of Tobit, c. 1240 Rembrandt: Tobit Accusing Anna of Stealing the Kid (1626). The Book of Tobit (/ ˈ t oʊ b ɪ t /) [a] [b] is an apocryphal Jewish work from the 3rd or early 2nd century BCE which describes how God tests the faithful, responds to prayers, and protects the covenant community (i.e., the Israelites). [1]
Titian, The Archangel Raphael and Tobias (c. 1512−1514). Tobias and the Angel is the traditional title of depictions in art of a passage from the Book of Tobit in which Tobias, son of Tobit, travels with the Archangel Raphael without realising he is an angel (5.5–6) and is then instructed by Raphael what to do with a giant fish he catches (6.2–9).
The Bible and Its Story, Taught by One Thousand Picture Lessons is a pedagogical children's book series in 10 volumes published Francis R. Niglutsch in 1908 and 1909 [1]: frontispiece illustrating pivotal scenes from the Holy Bible; edited by Charles F. Horne and Julius August Brewer, it is in the public domain.
The stranger, however, has eyes only for the unseen devil, and he instructs Tobias to use the fish's heart to break Ashmodeus' spell. This enables Tobias to wed Sara without being killed, and they return to Nineveh. Tobias uses the gall to cure Tobit's blindness, and the stranger reveals himself as the angel Raphael.
Rembrandt skilfully tells the story, focusing on the most important threads: Anna, still with the goat at hand, has just heard her husband's accusation, which she indignantly denies. Tobit is deep in prayer to God, asking for death. At his feet is a small dog, symbolizing Tobit's fidelity and trust in God's justice. Dutch map of Leyden, 1614
It is based on the story of Tobias from The Book of Tobit, one of the Apocrypha from the Dead Sea Scrolls. It tells the story of a young man, Tobias, who travels to Media to reclaim a debt from his father's friend, Gabael. He is accompanied by a guiding angel, Azarius. In the Book of Tobit, it is revealed that Azarius is actually the archangel ...
God tested them by reducing them to poverty and causing Tobit's blindness. In the 17th century they were considered to be examples of piety in adversity. Rembrandt painted a number of episodes from the story, and in this picture he depicts the old couple waiting for the return of their son, Tobias, who has embarked on a long journey to restore ...
The work, in oil paint and tempera on a poplar panel, measures 32.7 cm × 23.5 cm (12.9 in × 9.3 in). It depicts a biblical scene of Tobias and Raphael. In the Book of Tobit, Tobias, son of the blinded Tobit, was sent from Nineveh to Ecbatana to collect a debt.
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