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  2. Varnam - Wikipedia

    en.wikipedia.org/wiki/Varnam

    Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. . Varnams capture the essence of the ragam in terms of typical swara patterns used, vishesha prayogas, highlighting the main notes (jeeva swaras), e

  3. Purva Mimamsa Sutras - Wikipedia

    en.wikipedia.org/wiki/Purva_Mimamsa_Sutras

    The first verse of the Mimamsa Sutras states that the text's purpose is an inquiry into dharma. [4] The text establishes that dharma cannot be known through perception. Teachings of dharma without basis in the Vedas, such as of the Buddha and Jina, are based on perception.

  4. Kharaharapriya - Wikipedia

    en.wikipedia.org/wiki/Kharaharapriya

    There are many theories behind the etymology of the name Kharaharapriya.One of the most popular beliefs is that the ragam was initially called Samaganam and when Ravana was trapped by Shiva, under the kailash hill trying to lift it, it is believed that, to appease the lord, Ravana sang many hymns in praise of the lord, but his heart cooled only when a hymn was sung in the ragam and hence the ...

  5. Amritavarshini - Wikipedia

    en.wikipedia.org/wiki/Amritavarshini

    The most popular composition in Amritavarshini Ragam is the kriti Anandamrita Karshini by DikshitarMuthuswami_Dikshitar. Ennai Nee Maravate of Dandapani Desikar; Sarasiruhanayane of Thyagaraja (usually said misattributed) Sarasijaasani of Muthuswami Dikshitar; Vani Parama Kalyani By Vadiraja Tirtha; Eesabeku Iddu By Purandara Dasa

  6. Varali - Wikipedia

    en.wikipedia.org/wiki/Varali

    Varali is an asymmetric rāgam due to the vakra prayoga in ascending scale. It is a vakra-sampurna-sampurna rāgam (sampurna meaning containing all 7 notes). [1] [2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows:

  7. Raga - Wikipedia

    en.wikipedia.org/wiki/Raga

    A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [ 1 ] [ 2 ] ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . [ 3 ]

  8. Sankarabharanam (raga) - Wikipedia

    en.wikipedia.org/wiki/Sankarabharanam_(raga)

    Śaṃkarābharaṇaṃ scale with shadjam at C. It is the 5th rāga in the 5th Chakra Bāṇa.The mnemonic name is Bāṇa-Ma.The mnemonic phrase is sa ri ga ma pa da ni sa [1] Its ārohaṇa-avarōhaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):

  9. Simhendramadhyamam - Wikipedia

    en.wikipedia.org/wiki/Simhendramadhyamam

    Simhendramadhyamam scale with shadjam at C. It is the 3rd rāgam in the 10th chakra Disi.The mnemonic name is Disi-Go.The mnemonic phrase is sa ri gi mi pa dha nu. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):