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[10] Years later, Christgau rated the album as "a prequel to Sly and the Family Stone's depressive There's a Riot Goin' On". [5] Mojo later hailed Funkadelic as "the best blues-influenced, warped acid rock you're likely to hear", [9] and The Mojo Collection (2007) called it the band's first album of "spaced-out psychedelic funk". [11]
One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records.Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. [10]
The song is included in the Rock and Roll Hall of Fame's list of 500 Songs That Shaped Rock and Roll. [11] It is also ranked number 474 on the Rolling Stone magazine's list of "the 500 Greatest Songs of All Time". It was dropped in the 2010 version but it has been updated to number 210 in the 2021 version.
Title Album details Funkadelic's Greatest Hits: Released: 1975; Label: Westbound; Format: Vinyl; The Best of the Early Years Volume One: Released: 1977
It is one of the most popular Funkadelic albums among fans, [citation needed] and highlights the virtuosic guitar of the returning Eddie Hazel, who had departed following 1971's Maggot Brain. [8] Hazel co-wrote all of the album's songs, although the songwriting credits were mostly in the name of Grace Cook, Hazel's mother (a gambit by Hazel to ...
The Greenwood Encyclopedia of Rock History (2006) claimed that Maggot Brain and Funkadelic's previous two albums "created a whole new kind of psychedelic rock with a dance groove". [28] Music historian Bob Gulla hailed it as an "iconoclastic funk-rock" record, featuring the best guitar playing of Hazel's career. [29]
The album and its title track, a feedback-drenched number taking a third of the album's length, introduces the subversion of Christian themes explored on later songs, describing a mystical approach to salvation in which "the Kingdom of Heaven is within" and achievable through freeing one's mind, after which one's "ass" will follow.
[3] Sasha Frere-Jones, writing in The Rolling Stone Album Guide (2004), said it was "a summing-up of everything Funkadelic had done to date, and is still their most playable record." He felt that, although Clinton's "sexual politics weren't at their best" on tracks such as "No Head No Backstage Pass", the album is exemplary of the band's ...