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The Times Are Racing is a one-act ballet by Justin Peck, to "USA I-IV" from Dan Deacon's album America, with costumes designed by Humberto Leon from the fashion label Opening Ceremony and lighting design by Brandon Stirling Baker. [1] It premiered on January 26, 2017 at the David H. Koch Theater, danced by the New York City Ballet. [2] [3]
In December 2017, Martins took a leave of absence from the New York City Ballet following an allegation of sexual misconduct made against him. [43] [44] [45] Five dancers of the New York City Ballet later told the New York Times that Martins had verbally or physically abused them; Martins denied engaging in any misconduct.
New York City Ballet American Music Festival (9 P) C. Choreographers of New York City Ballet (1 C, 16 P) D. New York City Ballet Diamond Project (1 C, 10 P) I.
company venue date notes Brandenburg: Jerome Robbins: JS Bach: New York City Ballet: New York State Theater: January 22 [1] Othello: Lar Lubovitch: Elliot Goldenthal: San Francisco Ballet: Metropolitan Opera House: May 23 [2]
On the premiere, New York Times wrote that the ballet "is surely the most casually diverse work Mr. Ratmansky has created, but it gathers unstoppable momentum." [1] The Financial Times gave the ballet four stars, and commented that the ballet "abounds in ballet quotations and commentary, yet its tone is not ironic."
In 2020, in response to the performance cancellation due to the coronavirus pandemic, the New York City Ballet released a recording of Pulcinella Variations, filmed in 2018 with most of the original cast returning, except Mearns, Pollack and Angle, whose roles were danced by Miriam Miller, Emilie Gerrity and Russell Janzen.
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Brad Paisley – Landmarks Live in Concert: A Great Performances Special; New York City Ballet in Paris (February 17, 2017) New York City Ballet Symphony in C (February 24, 2017) Dudamel Conducts Tangos Under the Stars with the LA Phil (March 30, 2017) Young Men, a ballet by BalletBoyz; GP at the Met: Romeo et Juliette (April 13, 2017)