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In Bergsonism, Deleuze writes that "virtual" is not opposed to "real" but opposed to "actual", whereas "real" is opposed to "possible". [3] Deleuze identifies the virtual, considered as a continuous multiplicity , with Bergson's " duration ": "it is the virtual insofar as it is actualized, in the course of being actualized, it is inseparable ...
(The coinage refers to Proust's definition of what is constant in both the past and the present: "real without being actual, ideal without being abstract.") [24] While Deleuze's virtual ideas superficially resemble Plato's forms and Kant's ideas of pure reason, they are not originals or models, nor do they transcend possible experience; instead ...
The plane of immanence thus is often called a plane of consistency accordingly. As a geometric plane, it is in no way bound to a mental design but rather an abstract or virtual design; which for Deleuze, is the metaphysical or ontological itself: a formless, univocal, self-organizing process which always qualitatively differentiates from itself.
Dialogues (French: Dialogues) is a 1977 book in which Gilles Deleuze examines his philosophical pluralism in a series of discussions with Claire Parnet. It is widely read as an accessible and personable introduction to Deleuze's philosophy along with Negotiations. The book contains an exposition of Deleuze's concepts and methodologies in which ...
Desiring production is a primary and transcendental (in the immanent or Kantian sense) and virtual process of the perpetual emergence of corporeal, and incorporeal relations, which develop and emerge from real genetic, organic, and anorganic histories, social machines, and contingent worlds or "modes" of desiring production. Desiring machines ...
In the human realm, behavior that accords with norms and laws counts as generality for similar reasons. Science deals mostly with generalities because it seeks to predict reality using reduction and equivalence. Repetition, for Deleuze, can only describe a unique series of things or events.
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An exploration of meaning and meaninglessness or "commonsense" and "nonsense" through metaphysics, epistemology, grammar, and eventually psychoanalysis, The Logic of Sense consists of a series of thirty-four paradoxes followed by an appendix that contains five previously published essays, including a brief overview of Deleuze's ontology entitled "Plato and the Simulacrum".