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Maclure grew up in rural Scotland, taking up stained glass later in life. [2] She initially worked with her partner to restore and conserve historic stained glass, and later began creating her own work. [3] Maclure's lightboxes are recognisable for both their technical experimentation and their mix of personal, social and environmental ...
Identifying carnival glass involves matching patterns, colours, sheen, edges, thickness, and other factors from old manufacturer's trade catalogs, other known examples, or other reference material. Since many manufacturers produced close copies of their rivals' popular patterns, carnival glass identification can be challenging even for an expert.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
The factory provided fine quality glass tableware and decorative glass figurines. Both pressed and blown glassware were made in a wide variety of patterns and colors. The company also made glass automobile headlights and Holophane Glassware lighting fixtures. The company was operated by Heisey and his sons until 1957, when the factory closed.
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
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