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The main characteristics of Renaissance music are: [1] Music based on modes. Rich texture, with four or more independent melodic parts being performed simultaneously. These interweaving melodic lines, a style called polyphony, is one of the defining features of Renaissance music. Blending, rather than contrasting, melodic lines in the musical ...
The Renaissance was largely driven by the renewed interest in classical learning, and was also the result of rapid economic development. At the beginning of the 16th century, Germany (referring to the lands contained within the Holy Roman Empire) was one of the most prosperous areas in Europe despite a relatively low level of urbanization compared to Italy or the Netherlands.
Allemande. An allemande (allemanda, almain(e), or alman(d), French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel.
Early music – generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music.
The scholar Konrad Celtis (1459–1508), the Arch-Humanist of German Renaissance, taught his students to compose Latin poems using the metric patterns following the model of the Horatian odes. These poems were subsequently "set to simple, four-part music, incorporate the shifting accenmal patterns of the French vers mesurée".
Clearing Up: Coast of Sicily, Andreas Achenbach, 1847. Sturm und Drang (/ ˌ ʃ t ʊər m ʊ n t ˈ d r æ ŋ,-ˈ d r ɑː ŋ /, [1] German: [ˈʃtʊʁm ʔʊnt ˈdʁaŋ]; usually translated as "storm and stress" [2]) was a proto-Romantic movement in German literature and music that occurred between the late 1760s and early 1780s.
Mozarabic chant – Monophonic liturgical music used in the liturgy of the Mozarabic Rite. Organum – Early form of polyphonic music involving the addition of one or more voices to a preexisting chant. Planctus – Composition mourning the death of a notable figure, often in a liturgical context, similar in function to a dirge.
Heinrich Schütz (German:; 18 October [O.S. 8 October] 1585 [1] – 6 November 1672 [2]) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century.