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God in Three Persons is a rock opera and concept album by American art rock group the Residents, released in 1988. It is about a man—arbitrarily named 'Mr. X'—who befriends two conjoined twins . The songs are all sung in a rhythmic spoken word fashion, similar to talking blues .
Despite initially mixed critical and commercial reaction, God in Three Persons today is considered one of the group's masterworks. On November 18, 1987, at a party in Amsterdam for Boudisque Records, the Residents' European label, they premiered a new work titled Buckaroo Blues, a suite of cowboy songs.
The Residents would perform the Swingin' Medallions' "Double Shot" in its entirety in 1988 for a single to promote their album God in Three Persons, in which the song's main riff is a recurring motif. The song would also be referenced on the 1989 Cube E show.
[3] Dawn Teresa, giving the album four stars from New Release Today, wrots, "Musically creative and unique, the band has created a lush soundscape on In Three Persons to sing praises to our triune God." [4] Rating the album a nine out of ten for Cross Rhythms, Tony Cummings described "a heart-stirring album". [2]
Their second use of the song, released as a single alongside God in Three Persons (on which the organ riff is a recurring motif). 1997 Dick Holler: 1999 George Thorogood: 2010 Dale & Grace: 2011 Better Than Ezra
Feldman has performed on The Residents' Shadowland (2015 - 2016), In Between Dreams (2017 - 2019), God In Three Persons (2019 - 2020), and Faceless Forever (2023) live shows, and has produced three albums by the group, The Ghost of Hope (2017), Intruders (2018) and Metal Meat & Bone (2020)
A 2015 meta-analysis, which followed over three million participants for an average of seven years, found that loneliness was associated with a 26 percent increased risk of premature death.
Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [3] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive ...