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The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
The Womb Realm is a very popular subject for mandalas, and along with the Diamond Realm (vajradhātu) Mandala forms the Mandala of the Two Realms. This mandala, along with the Diamond Realm, form the core of Chinese Tangmi and Japanese Tendai and Shingon Buddhist rituals, including abhisheka "initiation". In this ritual, new initiates are ...
The Mandala of the Two Realms (Traditional Chinese: 両界曼荼羅; Pinyin: Liǎngjiè màntúluó; Rōmaji: Ryōkai mandara), also known as the Mandala of the Two Divisions (Traditional Chinese: 両部曼荼羅; Pinyin: Liǎngbù màntúluó; Rōmaji: Ryōbu mandara), is a set of two mandalas depicting both the Five Wisdom Buddhas of the Diamond Realm as well as the Five Wisdom Kings of the ...
The Taima Mandala (當麻曼荼羅,綴織当麻曼荼羅図) is an 8th century mandala in Japanese Pure Land Buddhism. It depicts Sukhavati , the western Pure Land, with the Buddha Amitābha (Japanese: Amida) in the center.
Gohonzon (御本尊) is a generic term for a venerated religious object in Japanese Buddhism.It may take the form of a scroll or statuary. The term gohonzon typically refers to the mainstream use of venerated objects within Nichiren Buddhism, referring to the calligraphic paper mandala inscribed by the 13th Japanese Buddhist priest Nichiren to which devotional chanting is directed.
The Diamond Realm is a very popular subject for mandalas, and along with the Womb Realm (garbhakoṣadhātu) Mandala forms the Mandala of the Two Realms. This mandala, along with the Womb Realm, form the core of Chinese Tangmi and Japanese Shingon rituals, including the initiation or abhiṣeka ritual. In this ritual, new initiates are ...
Anagarika Govinda (born Ernst Lothar Hoffmann, 17 May 1898 – 14 January 1985) was the founder of the order of the Arya Maitreya Mandala and an expositor of Tibetan Buddhism, Abhidharma, and Buddhist meditation as well as other aspects of Buddhism.
The destruction of a sand mandala [2] is highly ceremonial. Even the deity syllables are removed in a specific order [3] along with the rest of the geometry until at last the mandala has been dismantled to show impermanence. The sand is collected in a jar which is then wrapped in silk and transported to a river (or any place with moving water ...