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Also, cannon shots are heard at the end of Rush's "Overture". [50] "The Disappearance of Mr Davenheim" (Episode 5, Series 2, of the British drama series, Agatha Christie's Poirot (1990)), the title character plays a record of the 1812 Overture so that the cannon fire will mask the sound of him breaking into his own safe. [51]
This lyrical theme, suggestive of the power and stunning beauty of the cave, is intended to develop feelings of loneliness and solitude. The second theme, meanwhile, depicts movement at sea and "rolling waves". [7] The piece is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.
The 1812 overture complete with cannon fire was performed at the 2005 Classical Spectacular. Among the other works, Capriccio Italien is a travelogue of the composer's time there during his years of wandering and a conscious emulation of the Mediterranean episodes in Glinka's Spanish Overtures. [49]
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), whose music was composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
La mer was the second of Debussy's three orchestral works in three sections, the other being Nocturnes (1892–1899) and Images pour orchestre (1905–1912). The first, the Nocturnes, premiered in Paris in 1901 and though it had not made any great impact on the public, it was well-reviewed by musicians including Paul Dukas, Alfred Bruneau and Pierre de Bréville.
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
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Holst was born in Cheltenham, Gloucestershire, the elder of the two children of Adolph von Holst, a professional musician, and his wife, Clara Cox, née Lediard. She was of mostly British descent, [n 1] daughter of a respected Cirencester solicitor; [2] the Holst side of the family was of mixed Swedish, Latvian and German ancestry, with at least one professional musician in each of the ...