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In the second (1856) edition, Whitman used the title "Poem of Walt Whitman, an American," which was shortened to "Walt Whitman" for the third (1860) edition. [1] The poem was divided into fifty-two numbered sections for the fourth (1867) edition and finally took on the title "Song of Myself" in the last edition (1891–2). [1]
The presence of death is felt throughout the poem, although it is mentioned explicitly only in the final line. The Moon, a symbol of the beloved, sinks steadily as the poem progresses, until its abrupt drop in the penultimate stanza. That the speaker links Lucy with the Moon is clear, though his reasons are unclear. [45]
The style of the poem is a sonnet. The name of the poem stems from identity discs that British soldiers wore around their necks during the First World War . The discs were used as evidence for a soldiers death .
The idea of an identity consisting of several layers is exemplified in this poem. One's true identity is often hidden behind several muddled layers. Lorde alludes toward this concept by her recurrent use of the dual imagery of a piece of coal and a diamond. As the speaker of the poem, Lorde begins by equating herself with a piece of coal. [6]
The poem is written in iambic tetrameter and iambic trimeter. In the poem, the speaker narrates a night time ride to the cottage of his beloved Lucy , who always looks as "fresh as a rose in June". The speaker begins by saying that he has experienced "strange fits of passion" and will recount them only to another lover ("in the Lover's ear ...
Althea's identity is unknown. "She may even have been a product of Lovelace's imagination. However, evidence suggests she was a woman named Lucy Sacheverell." [1] The poem is quoted in the sixth chapter of Charlotte Brontë's novel Villette, and may have inspired the scenario of Emily Brontë's much-admired poem "The
The Unknown Citizen" is a poem written by W. H. Auden in 1939, shortly after he moved from England to the United States. The poem was first published on January 6, 1940 in The New Yorker , and first appeared in book form in Auden's collection Another Time ( Random House , 1940).
According to the critic Carl Woodring, "She Dwelt" can also be read as an elegy. He views the poem and the Lucy series in general as elegiac "in the sense of sober meditation on death or a subject related to death", and that they have "the economy and the general air of epitaphs in the Greek Anthology ... if all elegies are mitigations of death, the Lucy poems are also meditations on simple ...