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Wolpe named the font after Albertus Magnus, the thirteenth-century German philosopher and theologian. Wolpe studied as a metal engraver, and Albertus was modelled to resemble letters carved into bronze. The face began as titling capitals. Eventually a lowercase roman was added, and later a strongly cursive, narrow italic.
This font may have originally been intended as an Art-Nouveau font due to its resemblance to other fonts of the time. There are several theories regarding the font's name, and in fact it is widely recognized as one of the more interesting mysteries in typographic history. [ 2 ]
List of orders of battle. List of number of conflicts per year; List of wars by death toll; Africa : List of conflicts in Africa (Military history of Africa) List of modern conflicts in North Africa (Maghreb) Conflicts in the Horn of Africa (East region) Americas : List of conflicts in North America; List of conflicts in Central America
Card Roman (1925, Benton) Caxton Initials (1905, Goudy), font included twenty-six capitals and one leaf ornament only. Century series. Century Roman sub-series. Century Roman (1894, Linn Boyd Benton) Century Broad Face (c. 1897, Linn Boyd Benton), also known as Century No. 2. Century Expanded (1900, Benton) Century Italic + Century Bold (1905 ...
Tannenberg Bold. Tannenberg is a Fraktur-family blackletter typeface, developed between 1933 and 1935 by Erich Meyer at the type foundry D. Stempel AG in Frankfurt am Main.The design followed the "New Typography" principles of Jan Tschichold that promoted "constructed" sans serif typefaces.
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